Imani Perry was born just nine years after the 16th Street Baptist Church bombing in Birmingham, Alabama. A MacArthur “Genius Grant” Fellow, she was instilled from an early age with a strong instinct for justice and progressive change. The rich interplay between history, race, law, and culture continues to inform her work as a critically-acclaimed author and professor of studies of women, gender and sexuality and of African and African American studies at Harvard University.
Perry’s work reflects the deeply complex history of Black thought, art, and imagination. Her latest book, Black in Blues: How a Color Tells the Story of My People, is a surprising and beautiful meditation on the color blue and its fascinating role in Black history and culture from indigo to Louis Armstrong and beyond.
Her National Book Award-winning book South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation, is a narrative journey through the American South, in which Perry asserts that if we do indeed want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.
Her book Breathe: A Letter to My Sons explores the terror, grace, and beauty of coming of age as a Black person in contemporary America and what it means to parent our children in a persistently unjust world.
In each of her previous works, Perry endeavors to apply the lessons of modern history to our present struggle, whether to challenge or to celebrate. Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry is a revealing biography of one of the most gifted and charismatic—yet least understood—Black artists and intellectuals of the twentieth century; May We Forever Stand traces the history of the Black National Anthem; More Beautiful and More Terrible: The Embrace and Transcendence of Racial Inequality in the United States is an examination of contemporary practices of racial inequality that persist despite formal declarations of racial equality; Vexy Thing: On Gender and Liberation is a work of critical theory that traces the thread of modern patriarchy from the transatlantic slave trade and the age of conquest through the present day; Prophets of the Hood: Politics and Poetics in Hip Hop engages with the artistry, politics, and culture of hip hop.
Perry’s writing has appeared in The New York Times, The Atlantic, New York Magazine, and Harper’s, among other publications. She earned her Ph.D. in American Studies from Harvard University, a JD from Harvard Law School, an LLM from Georgetown University Law Center and a BA from Yale College in Literature and American Studies.
